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Oia sunsets are considered by many the most beautiful the world has to offer. Hundreds gather nightly at the Kastro, taking up every last inch of space along its rock walls, stairs, gates and pathways to snap photos and give a loud and rousing round of applause as the sun sinks into the Aegean Sea, the last rays creating a spectacular light show over the whitewashed town.
Oia Santorini: Oia, pronounced ‘Ia’, is the most famous of all villages of Santorini. It is known throughout the world for its quiet life and fantastic sunset, and is certainly the most beautiful and picturesque village of Santorini.
The village is also situated on top of an impressive cliff and offers a spectacular view over the volcano of Palia and Nea Kameni and the island of Thirassia.
Oia is situated on the north of the island, 11 km away from Fira. 
It is a traditional village with charming houses in narrow streets, blue domed churches, and sun-bathed verandas. Its streets have plenty of tourist shops, taverns, cafés, and other shops. 
Oia has several cultural attractions like the Maritime Museum which houses a small library, items from the maritime life of the area, and the vestiges of a Venetian fortress.
Many artists fell in love with the area and settled there. For that reason, the village of Oia has many art galleries.
Oia also has a small port, Ammoudi, which can be reached by a set of 300 steps leading down. There, small boats can take you opposite, to the island of Thirassia. The beach of Armenis is also located there. Taverns in Oia offer visitors tasty meals of fresh fish.
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Santorini -The naked child
Bend if you can to the dark sea forgetting 
the flute's sound on naked feet 
that trod your sleep in the other, the sunken life. 
Write if you can on your last shell 
the day the place the name 
and fling it into the sea so that it sinks.
We found ourselves naked on the pumice stone 
watching the rising islands 
watching the red islands sink 
into their sleep, into our sleep. 
Here we found ourselves naked, holding 
the scales that tipped toward injustice. 
Instep of power, unshadowed will, considered love, 
projects that ripen in the midday sun, 
course of fate with a young hand 
slapping the shoulder; 
in the land that was scattered, that can't resist, 
in the land that was once our land 
the islands, --rust and ash-- are sinking.
Altars destroyed 
and friends forgotten 
leaves of the palm tree in mud.
Let your hands go traveling if you can 
here on time's curve with the ship 
that touched the horizon. 
When the dice struck the flagstone 
when the lance struck the breast-plate 
when the eye recognized the stranger 
and love went dry 
in punctured souls; 
when looking round you see 
feet harvested everywhere 
dead hands everywhere 
eyes darkened everywhere; 
when you can't any longer choose 
even the death you wanted as your own-- 
hearing a cry, 
even the wolf's cry, 
your due: 
let your hands go traveling if you can 
free yourself from unfaithful time 
and sink-- 
So sinks whoever raises the great stones.
George Seferis
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